Nights is out. Blender taps the radio. He's out with one.
There is a pause.
Dispatch asks if he wants cover?
"Code 2," he replies.
He's an old dog, older than me. His voice is curt and concerned. He wants cover now, but won't say it.
I toss my lunch to the prowler floor and spin out of the lot. I hit the light and siren and slide corners as I race up the bridge ramp to the east side.
On scene, Bender has a mope by the arm. The Night's sarge has the other side. The mope is big, 6'3", drunk, and swaying side to side as they hold him. It's the old accordion dance.
I rush up.
Blender says, "He has a gun in sleeve!" He nods down to the arm he's holding. "Reach in and get it."
The drunk's wearing a winter jacket, I start to reach in and realize I can't tell where the barrel ends and the trigger starts.
I back out, pull my Benchmade seatbelt cutter and tell Blender, "Hold the arm, I'm cutting the sleeve."
One long incision reveals the Smith and Wesson aimed at the man's arm pit. I remove the revolver as other officers arrive and help take the man into custody.